000 03235nam a22005175i 4500
001 978-3-540-31103-4
003 DE-He213
005 20170628034335.0
007 cr nn 008mamaa
008 100301s2005 gw | s |||| 0|eng d
020 _a9783540311034
_9978-3-540-31103-4
024 7 _a10.1007/3-540-31103-3
_2doi
050 4 _aTA349-359
072 7 _aTGMD
_2bicssc
072 7 _aTEC009070
_2bisacsh
072 7 _aSCI041000
_2bisacsh
082 0 4 _a620.1
_223
100 1 _aBader, Rolf.
_eauthor.
245 1 0 _aComputational Mechanics of the Classical Guitar
_h[electronic resource] /
_cby Rolf Bader.
264 1 _aBerlin, Heidelberg :
_bSpringer Berlin Heidelberg,
_c2005.
300 _aXVI, 182 p.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 _aThe Musical Transient-Modeling Software MTMS Developed for this Study -- Continuous and Discrete Mechanics -- Studies of the Guitar To Date -- The Discrete Guitar Model -- Bending, Damping and Coupling -- Results -- Summary and Outlook.
520 _aThis book performs a state-of-the-art finite-difference calculation of the complete geometry of the classical guitar as a time-stepping application. It provides insight into the overall behaviour as well as the finite structure mechanisms of this musical instrument. Fundamental problems of coupling, nonlinearities, noise or time reversion, complex modelling solutions, and modern signal processing tools are discussed. Also musicologists, musicians or instrument builders can find explanations and may also be inspired by aspects of musical timbre, the sounding and time-dependent qualities of the different guitar parts. The work helps to suggest new geometrical and timbral solutions in modern guitar performance. Rolf Bader studied systematic musicology, physics, ethnology, and music history at the University of Hamburg, Germany. He currently works and performs as a guitarist in the field of jazz, modern classical music and improvisation. His work focuses on the musical timbre in acoustics, music psychology and physiology. Since 2002 he has been teaching acoustics, finite-element and finite-difference methods at the University of Hamburg and has been working on several projects in musical acoustics. His ethnological work on the music and cultural interchange in Southeast Asia, especially about Bali and Nepal includes cultural and historical but also acoustical aspects.
650 0 _aEngineering.
650 0 _aPhysics.
650 0 _aAcoustics.
650 0 _aEngineering mathematics.
650 0 _aMechanics, applied.
650 0 _aVibration.
650 1 4 _aEngineering.
650 2 4 _aTheoretical and Applied Mechanics.
650 2 4 _aVibration, Dynamical Systems, Control.
650 2 4 _aAppl.Mathematics/Computational Methods of Engineering.
650 2 4 _aAcoustics.
650 2 4 _aComplexity.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer eBooks
776 0 8 _iPrinted edition:
_z9783540251361
856 4 0 _uhttp://dx.doi.org/10.1007/3-540-31103-3
912 _aZDB-2-ENG
999 _c19397
_d19397